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57 sheet music found Illusion for Trumpet, Trombone and Piano
Illusion for Trumpet, Trombone and Piano # Trombone and Piano # ADVANCED # Elizabeth Raum # Illusion for Trumpet, Trombone # Gordon Cherry # SheetMusicPlus
Instrumental Duet,Piano C Trumpet,Instrumental Duet,Piano,Trombone - Level 5 - SKU: A0.1206435 Composed by Elizabeth Raum. Chamber,Contemporary. 36 page...(+)
Instrumental Duet,Piano C Trumpet,Instrumental Duet,Piano,Trombone - Level 5 - SKU: A0.1206435 Composed by Elizabeth Raum. Chamber,Contemporary. 36 pages. Gordon Cherry #804638. Published by Gordon Cherry (A0.1206435). Below are the program notes for Illusion for Trumpet, Bass Trombone & Piano by Elizabeth Raum.Illusion, is a general commentary to the fact that life is mysterious and generally, uncertain, constantly shifting. We try to influence what happens but usually, outside forces determine the direction of our lives. Sometimes it’s hard to distinguish between illusion and reality, and, in fact, often people much prefer illusion to reality. Mv. 1 - Illusion starts out with an obscure time signature and is constantly shifting tonalities so for a while, you aren’t quite sure where you are. Life is full of such deceptions.Mv. 2 - Fill the Wine Cup is a series of drinking songs with a lot of gayety and rollocking humour as the party gets more raucous, but eventually things get a little blurry and bombastic and the party winds down. The trombone, due to its ability to imitate drunken reeling with glissandos, is often cast in this role. M. 3 - Destiny seems to march on and on, with mankind hoping to control their future, but the implication is that fate is more powerful than one can control.M. 4 - The ultimate illusion: a Political Debate. The trombone starts out as the first candidate, and the saxophone is the other. The music is circus-like as befits many heated debates.Illusion was commissioned by Lucas Kaspar and JD Little. The original version was written for Alto Sax and Bass TromboneThe work of about 10 minutes in length is appropriate for advanced performers and may also be performed on a Trombone with an f-attachment.This work can be performed on a Trombone with an f-attachment and is appropriate for advanced performers. Five Spot--Five Tunes for Advanced Beginner or Intermediate Trombone and Piano
Five Spot--Five Tunes for Advanced Beginner or Intermediate Trombone and Piano # Trombone and Piano # EASY # Erik Nielsen # Erik Nielsen # Five Spot--Five Tunes for Adva # Middle Branch Music # SheetMusicPlus
Piano,Tenor Trombone - Level 2 - SKU: A0.1276536 By Erik Nielsen. By Erik Nielsen. Arranged by Erik Nielsen. 21st Century,Chamber,Contemporary,Instructi...(+)
Piano,Tenor Trombone - Level 2 - SKU: A0.1276536 By Erik Nielsen. By Erik Nielsen. Arranged by Erik Nielsen. 21st Century,Chamber,Contemporary,Instructional. Score and part. 33 pages. Middle Branch Music #868256. Published by Middle Branch Music (A0.1276536). This set of short pieces was composed as a sequel of sorts to Slidin', my earlier collection of ten solo brass works. There are technical similarities between the two sets, in that both pieces incorporate techniques such as legato and staccato playing, slurs and glissandi. However, in Five-Spot I have employed a slightly larger range, somewhat more challenging rhythms and have used all 7 positions. Therefore, I classed the pieces as being of advanced beginner or intermediate difficulty. I have also included intermediate-level piano accompaniment. These pieces may be played separately or as a set. The tempi are meant as guides to indicate proper performance speed, but are certainly subject to modification as needed. They are also meant to be fun! Sonata No. 5 for Trombone and Piano
Sonata No. 5 for Trombone and Piano # Trombone and Piano # INTERMEDIATE/ADVANCED # P # Sonata No. 5 for Trombone and # Pete Strohm Music # SheetMusicPlus
Piano,Trombone - Level 4 - SKU: A0.928164 Composed by P. F. Strohm. 20th Century,Contemporary,Contest,Festival,Instructional. Score and part. 68 pages. ...(+)
Piano,Trombone - Level 4 - SKU: A0.928164 Composed by P. F. Strohm. 20th Century,Contemporary,Contest,Festival,Instructional. Score and part. 68 pages. Pete Strohm Music #6411765. Published by Pete Strohm Music (A0.928164). Sonata No. 5 for Trombone and Piano was written for American trombonist Mark Babbitt, Professor of Trombone at Illinois State University. The work is tonal, in three movements. The first movement, Moderato, is in sonata form largely in 6/8, with a lyrical trombone and sparkling piano moving between B and E-flat. The middle movement in A major labeled Andante sospirando has Eastern overtones, both rhythmic and tonal. In a sub-divided 3/4, the sound in the first half is a mystical Lydian, shifting the same melody to Ionian at the midpoint. A dramatic piano section punctuates both halves. The third movement, Allegro is a modified rondo form in a duple meter with an Americana sound. It brims with confidence and playfulness, alternating between C and G-flat, with sweeping themes and a driving, wilder midsection. Sonata No. 5 for Trombone and Piano is an outstanding work for contest, concert or recital. Difficulty level is medium-advanced. Performance time is 17:30. Member, ASCAP. Sonata No. 4 for Trombone and Piano
Sonata No. 4 for Trombone and Piano # Trombone and Piano # ADVANCED # P # Sonata No. 4 for Trombone and # Pete Strohm Music # SheetMusicPlus
Piano,Trombone - Level 5 - SKU: A0.928162 Composed by P. F. Strohm. 20th Century,Contemporary,Contest,Festival,Instructional,Jazz. Score and part. 40 pa...(+)
Piano,Trombone - Level 5 - SKU: A0.928162 Composed by P. F. Strohm. 20th Century,Contemporary,Contest,Festival,Instructional,Jazz. Score and part. 40 pages. Pete Strohm Music #6285133. Published by Pete Strohm Music (A0.928162). Sonata No. 4 for Trombone and Piano was written for American trombonist Mark Kellogg. The rhythmic roots of this piece are in the music of Central and South America.  The first movement is based on bossa nova, in ABCBA form, with trombone and piano working together to create the syncopation. It segues into the second movement, a sweeping slow beguine in A-flat minor with a lovely A-flat major mid-section. The third movement has a declamatory opening, that goes into a driving samba. The piano generates the rhythm, with the trombone providing an aggressive lead and a fierce, improvisational-sounding midsection. An outstanding and unique work for contest, concert or recital.  Difficulty level for both instruments is advanced. Total performance time is 14:40.  Member, ASCAP. Concerto for Trombone and Piano accompaniment (piano reduction)
Concerto for Trombone and Piano accompaniment (piano reduction) # Trombone and Piano # ADVANCED # Cherry Classics Music # John, W # Concerto for Trombone and Pian # Gordon Cherry # SheetMusicPlus
Piano,Trombone - Level 5 - SKU: A0.810983 Composed by Cherry Classics Music. Arranged by John, W., and Ware. 20th Century,Contemporary. Score and part. ...(+)
Piano,Trombone - Level 5 - SKU: A0.810983 Composed by Cherry Classics Music. Arranged by John, W., and Ware. 20th Century,Contemporary. Score and part. 63 pages. Gordon Cherry #4601711. Published by Gordon Cherry (A0.810983). This fine work has sat dormant for many years and has now come to light thanks to the efforts of Charlie Vernon, Bass Trombonist of the Chicago Symphony, who performed this virtuoso work as a young performer. The concerto is in the standard three movement form: Fast, slow, fast. This publication is a reduction from the original orchestral version (to be released at some point in the future). Here is a description of the Concerto by the composer, John W. Ware. I started on the trombone concerto in my junior year studying composition at Indiana University. While working on it, I learned of an opportunity to make it sort of a thesis piece (though students didn't write a thesis in composition while an undergrad). The original version was for trombone with string orchestra, and it was performed by the IU String Orchestra, conducted by Dr. Arthur Corra, with Robert Priez, trombone, as part of my senior composition recital. I thought the performance was quite good (Priez played extraordinarily well), and the piece received a newspaper review in the Indiana Daily Student, in which the reviewer wrote that the work was almost too exciting. I thought at the time that he had given me and my music a fine compliment. I made a piano version of the accompaniment, shortening and tightening the first movement, for performances in 1966; I made a second revision in 1967 for a performance by E. J. Eaton, trombonist at the University of Tennessee at Martin, arriving at the form in which the work exists now. The first movement is in fairly normal sonata-allegro form, in the key of A minor. It alternates between assertive and more thoughtful moods. There is no introduction; the soloist enters immediately and dominates much of the movement. The main theme is--by some manipulation--a source for most of the other themes, and all of the themes are used in close proximity to each other, including contrapuntal combinations, especially near the end. Originally the movement included a lengthy fugato, now much shortened and including a stretto that builds and subsides before a cadenza leading to a coda based on both the principal and secondary themes. Key relations in this movement, as in the other two, are quite free and often chromatic, with frequent third-relations; but returns to the tonic at the end are emphatic. The writing is challenging for both soloist and accompanist; the piece is substantial, requiring technique and stamina. The second movement is in F minor and is also built on both contrast and close relationships between the main and secondary themes. The main theme is heard in the piano part before the soloist enters. The mood is more lyric than in the first movement, but with dramatic episodes also. In this movement are some definite derivations from themes in the first movement. The ending is a sort of lengthened shadow of the opening. The finale returns to A minor, with themes slightly related to polonaise rhythms, but with strong echoes of first-movement themes. Here, too, dramatic and lyric episodes alternate, with dotted rhythms frequently propelling the music forward. The introduction is a brief and simple preparation for the solo entry. Later in the movement, a very brief, slightly slower section is soon overtaken by the original tempo. Toward the end, there is a second cadenza, again leading to a swift and energetic coda. The work is about 20 minutes in length and is appropriate for advanced performers. Situation Update - Suite for Trombone and Piano
Situation Update - Suite for Trombone and Piano # Trombone and Piano # ADVANCED # Contemporary # Fetter, David # Situation Update - Suite for T # Gordon Cherry # SheetMusicPlus
Piano,Trombone - Level 5 - SKU: A0.810761 Composed by Fetter, David. Contemporary. Score and part. 27 pages. Gordon Cherry #2889619. Published by Gordon...(+)
Piano,Trombone - Level 5 - SKU: A0.810761 Composed by Fetter, David. Contemporary. Score and part. 27 pages. Gordon Cherry #2889619. Published by Gordon Cherry (A0.810761). David Fetter's brilliant new work Situation Update - Suite for Tenor Trombone and Piano is written in three contrasting movements totalling almost 11 minutes in length: 1. Swift 2. Longing 3. Exit Music Swift is marked Intense and is very rhythmic and angular. Longing is a beautiful lyrical movement marked Cantabile and Exit Music is marked Lively mixing chromatic, lyrical and syncopated segments, ending in a giant climax. Both the solo and accompaniment parts are written for advanced performers. The work's premier was performed in 2015 by retired Principal Trombonist of the Boston Symphony, Ronald Barron and accompanied at the Piano by composer Eric Ewazen. Here is what Mr. Ewazen has said about Situation Update: I had the pleasure of hearing Ron Barron play David Fetter's exciting and virtuosic new work for Trombone and Piano, Situation Update. David's music allows the Trombonist to sing and soar in 3 contrasting movements filled with vivid colors, beautiful and expressive harmonies, and a wonderful flowing rhythmic energy. The outer movements crackle with energy, showcasing the amazing technique of soloist Ron Barron, as the melodic line shifts and changes with playful abandon, while the middle movement is heartfelt and lyrical, with beautiful melodic lines, supported by resonant, gorgeous harmonies. The work is a real tour de force and rightly deserves to take its place as a significant addition to the Trombone repertoire. Concerto for Trombone and Piano
Concerto for Trombone and Piano # Trombone and Piano # ADVANCED # Mark Narins # Concerto for Trombone and Pian # Gordon Cherry # SheetMusicPlus
Piano,Trombone - Level 5 - SKU: A0.811191 Composed by Mark Narins. 20th Century,Contemporary,Romantic Period. Score and part. 101 pages. Gordon Cherry #...(+)
Piano,Trombone - Level 5 - SKU: A0.811191 Composed by Mark Narins. 20th Century,Contemporary,Romantic Period. Score and part. 101 pages. Gordon Cherry #6069485. Published by Gordon Cherry (A0.811191). Cherry Classics is pleased to introduce Concerto for Trombone and Orchestra 2020 (Piano reduction) by San Francisco based composer/conductor Mark Narins. The concerto is in 4 movements: I. Prayer, II. Meditation, III. Call and Response, IV. Exaltation Here is a description of the work by Mark Narins, the composer: Prayer: The first movement starts with a shimmering tremolo in the strings over which the silver voice of the trombone plays an arching phrase that lingers on an extended appoggiatura. The trombone is a lone mystic reaching for the sky and then falling perilously down to the pedal register. Later the orchestra breaks into a frenetic vamp over which the trombone plays intense ascending scales and passage work. The movement ends with an ascent to a high C#, moving to a final ringing high C. Meditation: After the harp lays out a series of arpeggiated chords, the trombone plays a warm, rich theme in the middle range. The following episodes are variations on this theme. The trombone moves into the upper register, floating with the ease of a lead trombone in a big band. The movement ends with an ascending yearning phrase reaching a high D as the soloist touches the sky and then comes gently back to earth. Call and Response: The orchestral accompaniment starts in an anxious, mysterious tonality. The trombone enters with a burst of energy playing a machine gun series of Fs. The movement develops into a series of short brilliant solo passages answered boldly by the orchestra. This movement showcases the stunning declamatory powers of the trombone. Exaltation: Movement 4 starts as an allegro with intense tremolos in the basses. The trombone breaks out into an articulated driving theme followed by several extended melodic passages. Midway in the movement the strings abruptly lay out a syncopated Latin dance rhythm over which the trombone climbs from the bottom to the top of its range in rapid triplets. In the final codetta the trombone accelerates the dance tempo and climaxes on a series of high C#s in a brilliant and joyous fashion. The concerto is 27 minutes in duration and is appropriate for advanced performers. This version with Piano is a reduction of the full Orchestral version (to be published in the near future). The new Trombone Concerto by Mark Narins is a very exciting piece with dramatic contrasts between the slow and fast sections. The move to the finish of the piece makes for a great wrap-up. It's a real blow for the player, really exploring the range of the instrument. It will be demanding and fun for the trombonist. Ken Andresen, New York freelance musician Scherzo for Trombone and Piano
Scherzo for Trombone and Piano # Trombone and Piano # INTERMEDIATE/ADVANCED # Anthony Giamanco # Scherzo for Trombone and Piano # Whole Tone Press # SheetMusicPlus
Piano,Trombone - Level 4 - SKU: A0.773761 Composed by Anthony Giamanco. Concert,Contemporary,Instructional,Standards. Score and part. 7 pages. Whole Ton...(+)
Piano,Trombone - Level 4 - SKU: A0.773761 Composed by Anthony Giamanco. Concert,Contemporary,Instructional,Standards. Score and part. 7 pages. Whole Tone Press #5195061. Published by Whole Tone Press (A0.773761). This short, original, modern work for trombone solo and piano begins slowly and expressively, becoming playful and exuberant in the scherzo, then returns in its final few bars to the beginning tempo, dying away to nothing. An ideal selection for recitals, this piece will provide the moderately advanced trombonist and pianist exciting new repertoire to program. Anthony Giamanco is a member of ASCAP. His many piano, organ, choir, and chamber works are in the catalogs of numerous publishers including GIA, Shawnee Press, Alfred, Augsburg Fortress, Lorenz, and others. His pieces also can be purchased through sheetmusicplus.com and JW Pepper. Anthony's music can be heard on his website, anthonygiamanco.com, and on YouTube. Contact info: tony@shalomlife.org. Impromptu No. 5 for Trombone and Piano
Impromptu No. 5 for Trombone and Piano # Trombone and Piano # INTERMEDIATE/ADVANCED # P # Impromptu No. 5 for Trombone a # Pete Strohm Music # SheetMusicPlus
Piano,Trombone - Level 4 - SKU: A0.1258648 Composed by P. F. Strohm. 21st Century,Classical,Contemporary,Contest,Festival. Score and part. 24 pages. Pet...(+)
Piano,Trombone - Level 4 - SKU: A0.1258648 Composed by P. F. Strohm. 21st Century,Classical,Contemporary,Contest,Festival. Score and part. 24 pages. Pete Strohm Music #851907. Published by Pete Strohm Music (A0.1258648). Impromptu No. 5 for Trombone and Piano is the fifth in a set of impromptus from American composer P. F. Strohm, written to showcase different these two instruments. It is dedicated to American trombonist Peter Ellefson. All five impromptus emphasize tone, technique and musicality for both trombonist and pianist. They are outstanding works for contest, concert or recital, either individually or as a set. The fifth impromptu combines elements from the first four impromptus such as long flowing melodies, piano hand-crossings, and driving energy, in an arch form comprised of five different dance-like sections. It is a blend of energy and grace, relying on technique, musicality and teamwork to paint a coherent picture from its five scenes. Difficulty level is medium-advanced. Performance time is 5:50. Â Member, ASCAP. Four Impromptus for Trombone and Piano
Four Impromptus for Trombone and Piano # Trombone and Piano # INTERMEDIATE/ADVANCED # P # Four Impromptus for Trombone a # Pete Strohm Music # SheetMusicPlus
Piano,Trombone - Level 4 - SKU: A0.928171 Composed by P. F. Strohm. Contemporary,Contest,Festival,Instructional. Score and part. 72 pages. Pete Strohm M...(+)
Piano,Trombone - Level 4 - SKU: A0.928171 Composed by P. F. Strohm. Contemporary,Contest,Festival,Instructional. Score and part. 72 pages. Pete Strohm Music #6532309. Published by Pete Strohm Music (A0.928171). Impromptus for Trombone and Piano is the full set of four pieces in one volume by American composer P. F. Strohm, written to showcase different musical styles with these two instruments. The impromptus emphasize tone, technique and musicality for both performers. They are outstanding works for contest, concert or recital, either individually or as a set. You can see and hear the score video for each of the impromptus under their separate listings (Impromptu No. 1 for Trombone and Piano, for example), as well as by visiting https://petestrohm.com. Difficulty level is medium-advanced. Performance time for each piece ranges from 4:25 to 5:45. Member, ASCAP. Sonata No. 2 for Trombone and Piano
Sonata No. 2 for Trombone and Piano # Trombone and Piano # ADVANCED # P # Sonata No. 2 for Trombone and # Pete Strohm Music # SheetMusicPlus
Piano,Trombone - Level 5 - SKU: A0.928160 Composed by P. F. Strohm. 20th Century,Contemporary,Contest,Festival,Instructional. Score and part. 64 pages. ...(+)
Piano,Trombone - Level 5 - SKU: A0.928160 Composed by P. F. Strohm. 20th Century,Contemporary,Contest,Festival,Instructional. Score and part. 64 pages. Pete Strohm Music #6090339. Published by Pete Strohm Music (A0.928160). Sonata No. 2 for Trombone and Piano was written for American trombonist Peter Ellefson. This second edition of the work contains four movements. The first movement, marked Andante con moto, starts in A-flat major with flowing themes, then a development in G# minor, and an ebullient recap. The second movement is marked Lento con affeto, in D-flat major, with a beautiful, plaintive trombone melody framed by a sparse but enveloping piano. The third movement is a spirited waltz in A-flat, weaving two lyrical themes among modes and keys. The final movement (Allegro) shifts to a bold F minor main theme that is developed throughout, leading to a joyous F major conclusion. This is an outstanding recital work for serious players. Individual movements are perfect for use in contests. Difficulty level is advanced. Total performance time is 21:50. Member, ASCAP.Â